Letters, feedback, opinions - get it off your chest

Dear Editor,



Re: Poor inks won't sink despite Epson's criticism


When is the consuming public going to realise that a "Silver Halide" (Photographic) print from the local photo store is going to cost them a fraction of the price of a poor inkjet print let alone the savings when compared to using brand-name inkjet inks and paper?

We have seen many faded examples of 6" x 4" happy snaps supplied by clients that have only cost $1.50 - $2.50 per print in the cost of inkjet consumables alone. The so-called dead technology of photographic prints on photographic paper still holds a large advantage on both cost and quality of print.

Regards,


Stuart Cameron


General Manager


Blow Up Imaging


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Dear Editor,

It is finally nice to see that some credit is being given to the Print Finishing part of the industry. For too long all of the recognition has gone to the printers, the designers, and the paper suppliers, without even a mention of the intricate work carried out by the Finishing industry.



As a committee member of the Australian Print Finishers Association we lobbied the National Print Awards committee regarding the very issue of recognition for our work and am pleased to see that they have followed up on thier proposal to introduce awards and recognition for our efforts and skills.



So come on you Print Finishers, get your jobs ready for judgement for the next print awards. More to the point how about joining an industry body who's sole role is to promote our side of the industry to designers, and printers and that adds so much to the finished jobs that win awards.



It is fine to have a crack individually at the committee and judges of the awards, but we can accomplish much more by contributing as a group.



To find out more about the APFA and what we are about please go to our website and see if you can help grow the association.


Regards,


Barry Webster


Director


The Laminating Company.


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Dear Editor,



Re: Blue Star Print surprise buyout of National Capital Printing


I wonder who will be the next Canberra Print Company to be acquired by Blue Star; stay tuned.



Derek Clayton


NC Print



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Dear Editor,



Re: Konica Minolta scoops up six BERTL awards



It seems to me, that a great number of companies (Konica Minolta included) are all recipients of the numerous awards that BERTL dish out on a regular basis, which can only make one speculate as to what the real story is when it comes to the reality of what a BERTL award represents.

Fair dinkum, if you look into all of the BERTL awards, and scrutinized each category, it is wonder that anyone really does take them seriously. Or is it only those manufacturers and companies that spend big bucks on BERTL subscriptions, that get the best write ups ?

If it were the Olympics for example, and using BERTL as the judges, you would probably have in one event alone, the following number of categories:

  • Men's 100 metres final - Black Men on one leg (Optional Leg)
  • Men's 100 metres final - Black Men on left leg
  • Men's 100 metres final - Black Men on right leg
  • Men's 100 metres final - Black Men on both legs



  • Men's 100 metres final - White Men on one leg (Optional Leg)
  • Men's 100 metres final - White Men on left leg
  • Men's 100 metres final - White Men on right leg
  • Men's 100 metres final - White Men on both legs



  • Men's 100 metres final - Gay Black Men on one leg (Optional Leg)
  • Men's 100 metres final - Gay Black Men on left leg
  • Men's 100 metres final - Gay Black Men on right leg
  • Men's 100 metres final - Gay Black Men on both legs



  • Men's 100 metres final - Gay White Men on one leg (Optional Leg)
  • Men's 100 metres final - Gay White Men on left leg
  • Men's 100 metres final - Gay White Men on right leg
  • Men's 100 metres final - Gay White Men on both legs



  • Men's 100 metres final - Heterosexual Black Men on one leg (Optional Leg)
  • Men's 100 metres final - Heterosexual Black Men on left leg
  • Men's 100 metres final - Heterosexual Black Men on right leg
  • Men's 100 metres final - Heterosexual Black Men on both legs



  • Men's 100 metres final - Heterosexual White Men on one leg (Optional Leg)
  • Men's 100 metres final - Heterosexual White Men on left leg
  • Men's 100 metres final - Heterosexual White Men on right leg
  • Men's 100 metres final - Heterosexual White Men on both legs



  • Men's 100 metres final - Black Eunichs on one leg (Optional Leg)
  • Men's 100 metres final - Black Eunichs on left leg
  • Men's 100 metres final - Black Eunichs on right leg
  • Men's 100 metres final - Black Eunichs on both legs



  • Men's 100 metres final - White Eunichs on one leg (Optional Leg)
  • Men's 100 metres final - White Eunichs on left leg
  • Men's 100 metres final - White Eunichs on right leg
  • Men's 100 metres final - White Eunichs on both legs



    I would very much like to know if any other subscribers toPrint21 online, share this opinion of mine.



    Kind regards,



    Mike Newin


    General Manager


    Oxford Imaging Consultants Pty Ltd




    ______________________

    Dear Editor,


    Re: Girl power takes centre stage at RMIT Industry Training Awards



    I have been actively working in the
    printing industry since 1979. At high school I was lucky enough to go to a progressive high school,
    whereby I learned all facets of printing, from bindery to typesetting
    on a Varityper and the climax was learning to operate a 1250 MultiLith
    press. On leaving school in 1979, I was indentured to the Commonwealth
    Bank Stores Department.



    From there to Watkins & Murphy to learn bindery, then long days plan
    printing on a very old ammonia based machine at North Shore
    Reprographics. Instant printing became all the rage, so I joined the
    Pink Panther Group and was their Head Office Manager at Glebe at age
    17, moving on to Snap as their York St Manager. I went on to become
    the manager of Dashing Printing Group.



    To set myself another challenge I joined the very scary world full of
    men in commercial printing at Crown & Anchor Printery (Christmas harbour
    cruises thrown by paper companies were interesting..... not alot of
    females on board then). Within that time I created a below line
    creative agency called the Creative Arm to meet the needs of our
    clients and start doing design in-house.



    I have worked as NSW manager for a Melbourne-based digital signage
    company and believe I have had my share of all round experience in
    this industry, to the point where I also teach Digital Pre Press &
    Design at UNSW COFA and have for the past 5 years.
    My students get inspired by me, as I am as passionate about the whole
    printing industry as I was the day I joined. I strive to get young
    people into our industry and help them even years later after they
    have graduated.



    I mean really where else can you work with different clients
    every day and feel pride in the work you design and create and see as a
    physical piece of brilliance?



    Subsequently, due to lifestyle choice and as the mother of 3 daughters,
    I have started my own creative agency again - BL•ink Printing. I am
    based in Botany and basically project manage jobs for clients from
    concept through to completion.



    I commenced this operation on January 1. 2007 and the business has
    taken off. Life is great! My belief is that printing is all about customer service and nothing
    is impossible!



    Kind regards


    Bronwyn Layden


    BL•ink Printing


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